Si est dolor similis, sicut dolor meus. s'il est douleur pareille à la douleur de mon cœur. mirad y ved si hay acaso dolor como mi dolor. Language: Latin Instruments: A cappella . ob irgend ein Schmerz sei wie mein Schmerz. O vos omnes. Sheet music for Blake R. Henson: O Vos Omnes: buy online. attend and see if there be any sorrow like to my sorrow. This sort of heavy movement between chords is very characteristic of Gesualdo’s music, and it only becomes more complex with his age. While many of the responsories open with pure homophony (chordal texture), O vos omnes is … This is because we have no idea how composers conceived the tonal plot of their music. Preview. Attendite, universi populi, et videte dolorem meum. View original text (without footnotes) 1 Wallach: "dolor similis" Authorship. ( Log Out /  I refer to Pablo Casals as a musician, rather than a composer, because he was the most famous and respected cellist of his day. O vous tous qui passez, regardez, et voyez, O vos omnes qui transitis per viam, attendite, et videte si est dolor sicut dolor meus. attendite et videte si est dolor sicut dolor meus. O ihr alle, die ihr am Weg vorbeigeht, schaut auf. Some move between harmonically distant chords, such as from C# major to C major then to B major. SSATTB choir sheet music book by Carlo Gesualdo Di Venosa (1560-1613): Carus Verlag at Sheet Music Plus. Si est dolor similis sicut dolor meus. 길 가는 모든 나그네들이여, 1. 'O vos omnes', the most dissonant and possibly the most beautifully elegiac, receives a sharper focus in the Gesualdo Consort's performance - soprano, mezzo and countertenor voices striking some gorgeous, surprisingly penetrating dissonant chords, which receive a … O vos omnes Part-Dominant MP3 Bundle Three Part Mixed 11305915F. here: https://www.ensembleovosomnes.cat/tau-2021 Mary Hinojosa Montenegro Farran Sylvan James Adriana Alcaide Hannah FreiensteinLixsania Fern … This page was last edited on 22 November 2020, at 14:48. Published by GIA Publications. The waveform image is automatically generated after the midi file has been converted by analyzing the resulting mp3 file. $49.99 Quantity. Print and Download O Vos Omnes sheet music. A visual spinning loader indicating that the page is performing an action. The first concert, February 20th! It has two parts: a respond and a versicle. Antífona: Music students, have you ever wondered why your undergraduate music theory classes never discuss how to analyze music written before tonality? Attend, all ye people, and see my sorrow: If there be any sorrow like to my sorrow. Carlo Gesualdo di Venosa: O vos omnes -... - Geistliche & weltliche Chormusik bei Carus bestellen! Change ), You are commenting using your Facebook account. Tomas Luis de Victoria - O vos omnes (Motette)Chor>SATB Antiphon: Pau Casals, cuyo O vos omnes fue compuesto en [...] 1932, mientras que el más joven es César Cano, nacido en 1960, cuyo Speculum in ænigmate , con el que acaba el programa, ganó el primer premio en el Concurso de Composición Coral "Juan Bautista Comes" en 1997. Number of voices: 6vv Voicing: SSATTB Genre: Sacred, Motet. This information … The waveform image is automatically generated after the midi file has been converted by analyzing the resulting mp3 file. Traditional Good Friday text (English and Latin) _x000D_Begins with a dirge-like adagio then a soprano solo introduces the lovely melody._x000D_Finally the soprano section as a whole whispers the melody over the dirge ostinato. Responsory: A responsory is a sung response to a Scripture reading. Stabat Mater dolorosa Juxta crucem lacrimosa. The bass line is descending by thirds. The tonality information is an approximation and is inferred by analyzing the relative frequency of each of the 12 musical notes being played in the file. It has two parts: a respond and a versicle. Responsal: O vos omnes (. O Vos Omnes O Vos Omnes Robert Wall - Alliance Music Publications, Inc. A complex and compelling a cappella setting of the traditional Latin text. Oh vós todos que passais pela via: If you compare this piece with de Victoria’s O Vos Omnes, you will notice some immediate differences. Some pieces would begin on a C major chord, and end on an E major chord. 길 가는 모든 나그네들이여, 주목하라, Works that currently have no editions available, Settings not yet entered in CPDL, by composer, https://www.cpdl.org/wiki/index.php?title=O_vos_omnes&oldid=1245696, Pablo Casals (not available, under copyright). : JOSQUIN. at masdan ninyo kung may kapighatiang katulad ng kapighatian ko. Attendite, universi populi, et videte dolorem meum, si est dolor similis sicut dolor meus. In the first blog on O Vos Omnes, I discussed the opening of the piece, its construction, and why it is effective and beautiful. First published: 1611 Responsoria et alia ad Officium Hebdomadae Sanctae spectantia, no. In case you have not realized, I like returning to pieces. V. Gebt acht, ihr Völker der Welt, und O vos omnes, qui transitis per viam, attendite, et videte Si est [dolor] 1 sicut dolor meus. Shop and Buy O Vos Omnes sheet music. O ihr alle, die ihr des Weges kommt, It applies to triadic music (music that has major and minor chords). ( Log Out /  Responsório: The types of ensembles and the given pitch level of … There stood the Mother grieving, beside the cross weeping. by Bible or other Sacred Texts, from Lamentations, I, 12  [author's text checked 1 time against a primary source] Musical settings (art songs, Lieder, mélodies, (etc. When you visit any website, it may store or retrieve information on your browser, mostly in the form of cookies. None whatsoever. One of the first things that jumps out is how hard it is to figure out what chord is being sung in de Victoria’s music, whereas it is incredibly easy in Gesualdo’s. Music students are often introduced to Carlo Gesualdo when they begin studying Neo-Riemannian transformations. SSATB. Oh vós todos que passais pela via, vinde e vede: V. Vinde, todas as pessoas, e vede a minha dor. O vos omnes, qui transitis per viam, attendite et videte. Latin text : O vos omnes qui transitis per viam, attendite, et videte, si est dolor similis sicut dolor meus. Yes, using semi-modern Neo-Riemannian theory on pre-tonal music is anachronistic, but it provides insight into how the composer wrote their music using what is called parsimonious voice-leading, which is arguably something Renaissance composers did consider in the compositional process. The table above provides detailed information about the victoria_o_vos_omnes_bas.mid file. Music by Robert Vuichard. Responsorium: The chords that follow are D major, Bb major, G minor, and E major, with a few transitioning chords. Here, I am returning to Gesualdo’s O Vos Omnes, the subject of my first blog. [translation] O all you who pass along the way behold and see if there is any sorrow like unto my sorrow. Namely, I will be looking at the key areas Gesualdo moves through and how he moves from chord to chord. O vos omnes is a responsory, originally sung as part of Roman Catholic liturgies for Holy Week, and now often sung as a motet. The text is adapted from the Latin Vulgate translation of Lamentations 1:12. B: Attendite, universi populi, et videte dolorem meum. He wrote O Vos Omnes in 1932 - 370 years later! We can look at what Gesualdo does here with a Neo-Riemannian analysis. (CA.4048950). In the first blog on O Vos Omnes, I discussed the opening of the piece, its construction, and why it is effective and beautiful. Antiphon: Earlier, I wrote about a different O Vos Omnes by de Victoria. Examine the opening six measures of Gesualdo’s O Vos Omnes. If there be any sorrow like to my sorrow. Composer: Henson, Blake R.. The tonality information is an approximation and is inferred by analyzing the relative frequency of each of the 12 musical notes being played in the file. It was often set, especially in the sixteenth century, as part of the Tenebrae Responsories for Holy Saturday. Antiphon: The beauty of Renaissance music in particular is in how triadic it is. O, vos, hombres que transitan por el camino, mirad y ved: Antienne: Notice a trend? Watch the video for O vos omnes from Carlo Gesualdo's Gesualdo: Sacrarum cantionum for free, and see the artwork, lyrics and similar artists. V…. So now that we have a basic understanding of how to not look at Renaissance music, let me propose a way to look at Renaissance music: Neo-Riemannian theory. Versus alleluiaticus. O all ye that pass by the way, attend and see: If there be any sorrow like to my sorrow. Gesualdo’s music seeks more adventurous harmonies than de Victoria. The findings are contextualized in relation to the descriptions of primary source materials from the Renaissance era and modern scholarly research in the area of Renaissance performance practice. John V. Mochnick: O Vos Omnes (All Who Pass By): Double Choir: Vocal Score [Vocal Score] Hinshaw Music Inc. of er een pijn is zoals die van mij. Kostenlose Noten, alle mit Hörbeispiel und Einzelstimmentrainer. schaut auf meinen Schmerz: Antífona: Responsorial: Responsory: The text is adapted from the Latin Vulgate translation of Lamentations 1:12. [ hide ] 1 Performances. Change ), You are commenting using your Google account. A[O vos omnes qui transitis per viam] A: O all ye that pass by the way, attend and see: If there be any sorrow like to my sorrow. Blue = Relative (R)Orange = Leading tone exchange (L)Green = Parallel (P)Here is the little Neo-Riemannian formula.C+ -[R]-> A- -[P]-> A+ -[P]-> A- -[L]-> F+ -[R]-> D- -[P]-> D+ -[P]-> D- -[L]-> Bb+ -[R]-> G- -[P]-> G+ -[R]-> E- -[P]-> E+…which simplifies into the following, compounded:C+ -[RP]-> A+ -[PL]-> F+ -[RP]-> D+ -[PL]-> Bb+ -[R]-> G- -[PRP]-> E+So there is a lot going on here. Piece data 2. Title: O vos omnes (another O vos omnes for 5vv apeared in 1603) Composer: Carlo Gesualdo. (Much like Yo Yo Ma is today.) Octavo sheet music by Cesar Alejandro Carrillo: Cesar Alejandro Carrillo at Sheet Music Plus. ob irgend ein Schmerz sei wie mein Schmerz. O all ye that pass by the way, attend and see: V. Attend, all ye people, and see my sorrow: Antiphon: O vos omnes qui transitis per viam, attendite et videte: Si est dolor similis sicut dolor meus. 1585 or before. Lebenszeichen 26: O vos omnes – mit Portavoci. O vos omnes qui transitis per viam: 주목하라, 내가 겪은 이러한 슬픔이 어디에 또 있는지 보아라. It was often set, especially in the sixteenth century, as part of the Tenebrae Responsories for Holy Saturday. O vos omnes jessica petrus carole ott gabrielle fazio Robert Vuichard choral part songs motets renaissance hingelberg song. ( Log Out /  You can hear the basses and cellos playing in Casals' head when the basses and tenors in the choir come in: o vos omnes. A production of the Ensemble O Vos Omnes and the Tarragona Council that includes 4 concerts where we will perform music from the 4th to 4th centuries. O ihr alle, die ihr des Weges kommt, For those who have not listened to much of Gesualdo’s repertoire, his music is harmonically far-reaching and quite adventurous for the time. While maintaining the flavor of what an O Vos Omnes should be, beautiful tone clusters, open harmonies, and divisi that... view details. For example, listen to Palestrina’s masterpiece, Sicut Cervus, which is so heavily set within a collection of pitches that you could almost say it is in C major (but it is not). Change ). Responsories; Religious works; For 5 voices; [ 6 more...] For unaccompanied voices; Scores featuring the voice; Latin language; For 5 recorders (arr); Scores featuring the recorder (arr); For 5 players (arr) Contents. Mov'ts/Sec's. As a result of the concept of “tonic,” “dominant,” and more broadly tonality as a whole, not existing, music in the Renaissance and Medieval eras is incredibly free. It’s back, for the third blog in a row. O vos omnes, qui transitis per viam attendite et videte si est dolor, sicut dolor meus. De Victoria’s music however, has more independent musical lines. Users who like O vos omnes (unedited)- Tomás Luis de Victoria ; Users who reposted O vos omnes (unedited)- Tomás Luis … It was more free than Baroque, Classical, and Romantic music ever could become, as tonality is one of the most constrictive ideas in music history. Gesualdo’s music was so far ahead of its time in the harmonies used. O kayong mga nagdaraan, makinig, After the versicle (indicated below by V. and usually sung by a single voice or a smaller group), the second part of the respond (indicated below by a bullet) is repeated. Oh, vosotros, hombres que pasáis por el camino: A: O vos omnes qui transitis per viam, attendite et videte: Si est dolor similis sicut dolor meus. One of my friends once described his music as “serial” (which is a loaded term that I am not going to unpack in this blog – the point is that the “serial” style of composition did not come around until the 20th century; Gesualdo composed in the 16th century!). Ninety-two recorded performances of four works by Victoria, O magnum mysterium, O quam gloriosum, O vos omnes, and Officium defunctorum contributed to the data. ( Log Out /  und seht, ob ein Schmerz wie mein Schmerz ist. sta even stil en zie (S0.21396). O vos omnes qui transitis per viam, attendite et videte: V. Attendite, universi populi, et videte dolorem meum. His two related settings of the text "O vos omnes" offer the clearest evidence of his grief. The P transformations are next to each other, as are the Rs and Ls. I highly encourage you to listen to more of Gesualdo’s music, keeping an ear open for exotic chord changes such as what I outlined above. This method of composition is incredibly colorful and rich in the sound. Attendite, universi populi et videte dolorem meum à 3 (SSA) Composition Year. If you piece together the bass line starting on F, you get what would be considered an F major scale. Antiphon: Before the time of Lully, Vivaldi, Bach, and the early Baroque composers, who envisioned music where they would start and end on tonic, the Renaissance composers wrote in astonishingly colorful ways. Genre Categories. Schauet doch und sehet, This time, I am going to look through the rest of the piece at a broader level. 3 sections. O all ye that pass by the way, Gabrielle Hingelberg, Jessica Petrus, Carole Ott - Sopranos. Anyways, it is now time to have the discussion on pre-tonal music harmony. view details. 23 It is a hallmark of what makes his music unique. Namely, I will be looking at the key areas Gesualdo moves through and how he moves from chord to chord. Most Renaissance composers used harmonies that remained fairly close together, loosely within a key signature (although they were not bound by key signatures!). This text (from Lamentations 1:12) exists in a shorter form, as an antiphon, and a longer form, as a responsory (the fifth of the nine responsories for Matins of Holy Saturday). O, gij allen die voorbijgaat over de weg. O vos omnes (unedited) composer: Tomás Luis de Victoria text: Lamentations 1:12 publisher: public doman Recorded February 26, 2019 Recorded for the 2019 National Competition for Canadian Amateur Choirs Exultate Chamber Singers Mark Ramsay, conductor Genre Choral Music. O vos omnes is a responsory, originally sung as part of Roman Catholic liturgies for Holy Week, and now often sung as a motet. In … English translation : O all ye that pass by the way, attend, and see, whether there be any sorrow like my sorrow. This time, I am going to look through the rest of the piece at a broader level. I color coded the transformations! Übersetzung: Bernhard Schmid, Rottenburg. There is a certain symmetry to the compound transformations, as Gesualdo alternates between RP and PL twice. Schauet doch und sehet. O vous tous qui passez, regardez, et voyez: Regardez, peuples de toutes nations, et voyez ma douleur, Antiphon: S'il est douleur pareille à la douleur de mon cœur. There are three chords that are all harmonically far apart; C major, A major, then F major. Onto O Vos Omnes. The table above provides detailed information about the O vos omnes.mid file. Mirad y ved si hay dolor como el dolor que me ha venido. Title text. Vinde e vede se há dor como a minha dor Neo-Riemannian theory does not strictly apply to tonal music. The music may not be tonal, but it uses chords that we are all familiar with. Genre Categories. Change ), You are commenting using your Twitter account. O vos omnes qui transitis per viam Attendite et videte Si est dolor Sicut dolor meus Attendite et videte Si est dolor Sicut dolor meus O voi tutti che passate per la via Considerate e vedete Se c'è un dolore Simile al mio dolore Attendite et videte Si est dolor Sicut dolor meus Recorded Live: First Congregational Church - Ann Arbor, MI. Euch sage ich allen, die ihr vorübergeht; Schauet doch und sehet, ob irgend ein Schmerz sei wie mein Schmerz, der mich getroffen hat; denn der HERR hat mich voll Jammers gemacht am Tage seines grimmigen Zorns. This text (from Lamentations 1:12) exists in a shorter form, as an antiphon, and a longer form, as a responsory (the fifth of the nine responsories for Matins of Holy Saturday ). Si est dolor similis sicut dolor meus. Gesualdo, Carlo. ) ′′ Pater Musicorum ′′ Tickets (beware, there are few! ) Music theory texts from the time discuss counterpoint and the importance of pure acoustics over the importance of composing within a key signature. A responsory is a sung response to a Scripture reading. Responsory: Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account.