What is Baroque Music? About 30-45 seconds into the piece, after the homophonic intro, we get our first taste of Baroque-style polyphony. Imitative polyphony refers to the use of echoed entrances, similar to a round. The process by which Renaissance composers freely embellished plainchant melodies for use in their compositions is known as: ... a passage of imitative polyphony using one musical motive and one phrase of text . Function not the nature. Imitative polyphony was so important that it continued into the Baroque period, especially in sacred music for the church. Josquin des Prez certainly used cantus firms in many of his works, but by Josquin’s time a new compositional technique, imitation, was becoming more popular among composers. Imitative polyphony can be easily heard in the music of Byrd, Gibbons, and Gabrieli. Distinguishing the work from earlier compositions, it is imitative in nature. Download Full PDF Package. Non-imitative. Definition _____ is the most general term for the basic subject matter of longer pieces of music. Julie Cumming. The music genres which flourished during the Baroque Period were the Concerto, the Fugue, the Oratorio and the Chorale. 2008. What is “baroque,” and when was the Baroque period? The Baroque Period is characterized by grand and elaborate ornamentation of sculptures, theaters, arts and music. 30 seconds . To the extent that there is a heirarchy of lead/support, you are in homophonic territory. : Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. IMITATIVE POLYPHONY. b. Melodic lines sounding together with the same or quite similar melodies at staggered time intervals. Polyphony. School Trident Technical College; Course Title MUSIC 105; Type. C) paraphrase. The Baroque Period is characterized by grand and elaborate ornamentation of sculptures, theaters, arts and music. Imitative polyphony is the distinctive characteristic of Renaissance music. Unlock to view answer. As you become familiar with these forms, their use will become second nature in your compositional process. Free. Music a. Melodic material that is added above or below an existing melody. We've encountered this technique before in the famous Kanon of Pachelbel and in children's songs like the round "Row, Row, Row Your Boat." What is a point of imitation a passage of imitative. The work is segmented into clear sections corresponding to the different verses of the text. Plainchant harmonization. answer choices . In Josquinís polyphonic compositions, a musical passage in which one group of voices comes to a cadence at precisely the same moment that another group begins its statement is called . When all voices move in simple chord patterns. Q. Homophony occurs when: answer choices . Q 31 Q 31. Q. A polyphonic keyboard composition in two or three voices exploring imitative counterpoint featuring one or more recurrent fugues known as motives.. A short summary of this paper. Notes. Multiple Choice . Consonant. Missa Papae Marcelli does not (as far as is known) make use of any pre-existing theme. SURVEY . What is a point of imitation? various musical lines are heard one after another with the same melody or similar melodies. What is a point of imitation a passage of imitative polyphony using one phrase. Additionally, the masses and motets of composers such as Josquin also displayed the imitative polyphonic style. Look up polyphony, polyphonic, monophony, or monophonic in Wiktionary, the free dictionary. An example of this is a singer accompanied by a guitar-strumming chord. homophony; imitative polyphony. He is known for using imitative voices and changing textures in his compositions. The music genres which flourished during the Baroque Period were the Concerto, the Fugue, the Oratorio and the Chorale. The process by which Renaissance composers freely embellished plainchant melodies for use in their compositions is known as: A) harmonization. lowest, highest. A _____ is a distinctive fragment of melody, distinctive enough that it can be easily recognized when it returns again within a long composition. PDF | p>Five (woodblock) prints of Ryōan-ji presents five approaches to the famous dry garden located in the homonymous temple in Kyoto. With the new printing techniques, music and musical ideas were able to be preserved and distributed to the people. IMITATIVE devices. Polyphony is a see also of heterophony. n. 1. Now when you listen to music, see if you can determine the textures used. B) improvisation. Beginning with the words "Fly swift around ye wheels of time," however, the various vocal components go their separate ways, creating polyphony, and then come together again for the closing line. The music genres which flourished during the Baroque Period were the Concerto, the Fugue, the Oratorio and the Chorale. Composition: An imitative piece of music ( cannon, round, fugue) Compose three parts for an ensemble of similar instruments (i.e. Homophony. Hallelujah Chorus: Imitative polyphony. Strict imitative polyphony uses the same melody that copies itself which is called canon or round. It’s also worth mentioning that we really have no idea how these pieces would have been performed in their day. You’ve already studied the compositional technique known as cantus firmus, in which a new composition is built around a pre-exisiting melody.This technique continued into the middle of the Renaissance period. One of the distinctive characteristics of Renaissance music is 2. The great masters of the Renaissance were revered in their own lifetimes (rather than after their deaths), which was different from most of their Medieval predecessors. SURVEY . Imitative Polyphony Baroque Period Kyrie Gregorian Chant Concerto The Four Seasons Chorale Golden Age Dark Ages madrigal Neune Fugue Renaissance Oratorio Medieval 1. the … Imitative polyphony is the distinctive characteristic of Renaissance music. One voice mimics the motive ideas of the other. In contrast-thematic polyphony, the voices simultaneously introduce independent themes, which, in many instances, belong to various musical genres. During the 16th century, Renaissance composers began alternating sections of imitative polyphony with what other musical texture? 30 seconds . Theme. This paper . A secular vocal polyphonic music sung during courtly social gathering is 3. The texture is polyrhythmic because two distinct rhythmic strata are present, one in eighth notes and the other in sixteenths. The roles of the voices alternate in a cyclical pattern. Paraphrase. Imitative Polyphony The next excerpt is two-part, imitative polyphony. The motif of a rising perfect fourth and stepwise return (illustrated) is used extensively throughout this mass. They are shorter than _____ and _____. Tags: Question 10 . 252 Pages “From Variety to Repetition: The Birth of Imitative Polyphony.” In Yearbook of the Alamire Foundation 6. Instruments featuring polyphony are said to be polyphonic.Instruments that are not capable of polyphony are monophonic or paraphonic imitative definition: 1. copying someone or something: 2. copying someone or something: . Uploaded By bobbyjoes21. Download PDF. Tags: Question 9 . Their use will be explained more fully under the head of '^ -physical culture" in chapter fifth. Instrumental and choral parts both carry significant importance. Imitative counterpoint synonyms, Imitative counterpoint pronunciation, Imitative counterpoint translation, English dictionary definition of Imitative counterpoint. In non-strict imitative polyphony you hear imitation but it is not the exact melody chasing itself but a very similar one. Learn more. Musical composition - Musical composition - Development of composition in the Middle Ages: The European written tradition, largely because it evolved under church auspices, de-emphasized rhythmic distinctiveness long after multipart music had superseded the monophonic plainchant. Elements of style include chant, homophonic textures at moderate tempi, imitative polyphony in sixteenth- and eighteenth-century styles, and sections with long, sustained melody and harmony. The texture of a single melody played without accompaniment is . Derived from the Portuguese barroco, or “oddly shaped pearl,” the term “baroque” has been widely used since the nineteenth century to describe the period in Western European art music from about 1600 to 1750.Comparing some of music history’s greatest masterpieces to a misshapen pearl might seem … Chansons evolved as a combination of the tradition of the troubadours’ secular songs and the more complex polyphony that had developed in the composition of sacred masses and motets. During the Middle Ages, the plainchant melody was in the _____ voice but in the early Renaissance it was moved to the _____ voice. He is known for creating the imitative polyphony style which defines the period. “From Variety to Repetition: The Birth of Imitative Polyphony.” In Yearbook of the Alamire Foundation 6. Playmates are almost as essential to the healthy and. Imitative counterpoint. The canon and the fugue are among the forms based on this principle. Monophony. Term. Classical Symphony-Musical Style • Musical style is the combination of musical elements that make a piece particularly distinctive • Musical style enables you to recognize the music in reference to its composer, performer, and the characteristics of the particular music tradition. Composition two makes you apply and work with all forms of imitative polyphony. 37 Full PDFs related to this paper. Viewed 20k times 7. In the early Renaissance,composers concentrated on the _____ rather than the _____ of the plainchant melodies used. These authors were in a very real sense innovators--men who pushed rhetorical theory into new paths and made distinctive original contributions, Hence their influence may be measured by studying the effects of these new ideas on subsequent writers. Refers to _____ not the _____ of musical material. The application of this principle to instrumental writing was partly an extension of the forces of change in vocal writing stemming from the Florentine Camerata and their head Count Giovanni de' Bardi, who deliberately sought to change the way music was written, and adopted an overarching goal of a music renaissance. Much of the piece is centered on the synthetic octatonic scale in the … The connection of the sections in their order forms a dialogue. The term invention is unique and somewhat peculiar to Bach and a few of his contemporaries. training. training. A characteristic of High Renaissance music, as heard in the Pange lingua Mass, is the contrasting of _____ and _____. 10 . 9 . Imitative polyphony is the distinctive characteristic of Renaissance music. Pages 15 Ratings 100% (1) 1 out of 1 people found this document helpful; This preview shows page 7 - 10 out of 15 pages. The Baroque Period is characterized by grand and elaborate ornamentation of sculptures, theaters, arts and music. In imitative polyphony a single theme is developed by means of restatement or duplication in every voice. D) elaboration. The process by which Renaissance composers freely embellished plainchant melodies for use in their compositions. Throughout the piece, the texture switches from homophony (all voices following the same melody) to polyphony, where there are multiple melodies happening at once.